venus

it's not just the amazing make-up featured by alex box, get stunned watching nick knight fashion film venus here

'i see blue, i don't see red anymore,

nor yellow. this bothers me terribly because i know that these colors exist, because i know that there is red, yellow, a special green, a particular purple on my palette. i don't see them anymore as i used to see them in the past, and however i remember very well how it was like.'

waking up in the garden effect

spring 2012 gloria coelho's make up

do it now!

'color is my day-long obsession, joy and torment'

l'orangerie's nymphéas room

asymmetrical forms + accented colours

gloria coelho spring 2012 collection

pedro lourenço resort 2010

'most of the girls here are not that classically pretty. but they have pretty fucked up teeth. and awesome style.'

check what bronques has documented of east londoners' day/nightlife at lastnightsparty webpage

lonely & bored girls

how to be alone. a video by fiilmaker, andrea dorfman, and poet/singer/songwriter, tanya davis.

manual for bored girls. a jesús plaza film.

greenish blonde venus

gaga is promoting her album born this way in france and she looks so cool wearing a fall 2011 pedro lourenço's dress in this morning interview for france 2

i took some pictures of pedro's backstage and during the fitting process, check it in someone please cut the lights

she's lost control again and again

and my favorite ever because of siobhan,

not because of semi-naked dita of course

'i had to come all the way from the highways and byways of tallahassee, florida to motor city, detroit to find my true love

if you gave me a million years to ponder, i would never have guessed that true romance and detroit would go together. and to this day, the events that followed all seem like a distant dream. but the dream was real and was to change our lives forever. i kept asking clarence why our world seemed to be collapsing and everything seemed so shitty. and he'd say: 'that's the way it goes. but don't forget, it goes the other way too.' that's the way romance is. usually that's the way it goes. but every once in a while, it goes the other way too.'

pandrogyne project

marie losier's the ballad of genesis and lady jaye movie 'is both the most romantic and the saddest film' according to the telegraph. is about the sexual transformation project created by genesis breyer p-orridge from the avant-garde music and visual arts group throbbing gristle, and the punk-rock band psychic TV and his other half and collaborator, his wife lady jaye.

boys, boys, it's a sweet thing

josh reilly is modeling in brazil since january.

bowie's soundtrack

let's hate the girl with blonde hair

chandra was 12-years-old when she recorded 4 songs for 'transportation' ep in the early-80′s new york club scene. she's daughter of the conceptual artist dennis oppenheim who was well acquainted with the artists and musicians of the late 70's lower east side.

love this obscure pre-teen temperament.

candy-coloured battenburg cake

eric is my babe so it's hard to say something about his work taking my love away.

i see it with an unstated humorous mood. it's explicit and spunky but sweet in the same time.

who doesn't want to see full-frontal male nudity shouldn't click here :P

i can't stop listening

'the songs aren’t really about anything in particular. sometimes they are little stories. but most of the time the lyrics are secondary. they’re more colours than something with fixed meaning. even if the voice is incomprehensible, even if the lyrics don’t stick out... our brains are programmed to want to hear a voice. but basically we’re like an instrumental band.'

more of this interview with max henry of the suuns? click here!

'but why would I want to do a thing like that? i chose not to choose life

i chose somethin' else. and the reasons? there are no reasons. who needs reasons when you've got heroin?'

it's all about luck

animal spacier

it's all about me

i'm not the sort of person who has standard words or radical views. i try to find out what could shows up and bring something even when it's not extremely meaningful to me at the moment. i went to hayward gallery to see tracey emin's love is what you want exhibition which includes every phase of emin's career. i must say i didn't have any connection with her work before and i'm still not a fan but now seeing it all, i could realize that i quite sympathize with her speech and ironic view apart from almost all the form it comes up. the interesting part of this is, as she's a quite good storyteller, you really can experience the feeling of being in someone's brain since you step into the gallery. you don't need to like what you see inside but it is definitely a woman.

little little girl c'mon you gotta rock my world

who is mathilde?

my little princess

eva ionesco's my little princess was presented as a special screening to celebrate the 50th year of cannes' critics’ week, and it brings the relation between eva and her 24 hours photographer, her mom irina ionesco, and the conflictual relationship between them.

two stage transfer

dennis, chandra and eric oppenheim in 1971 recreating simultaneously on the wall what was being drawn on their backs. oppenheim describes the work as “drawing through” his collaborator.

don't bowl you over if you go to mine and see all the walls scribbled

faster, pussycat! kill! kill! sportive version

longboard girls crew facebook.com/​longboardgc